Unveiling Orientalist and Feminist Orientalist Stereotypes in Western Cinema’s Portrayal of Muslim Women
DOI:
https://doi.org/10.54536/ajahs.v4i2.4499Keywords:
Feminist Orientalism, Islam, Islamophobia, Muslim Women, OrientalismAbstract
This article examines the representation of Muslim women in Western film and television, focusing on Hala, Elite, and Cuties. Employing textual and visual analysis within the theoretical frameworks of Orientalism and feminist Orientalism, the study reveals a consistent pattern of stereotypical depiction. Muslim women are portrayed as oppressed by their conservative, Islamic backgrounds and find liberation primarily through Westernized ideals of sexuality and freedom. This liberation is often symbolized by the removal of the hijab and is facilitated by relationships with white, non-Muslim men, perpetuating narratives of the Western savior complex and a sexualized rebellion against traditional Islamic values. The findings reveal a persistent trend in Western cinema that contributes to Islamophobic sentiments and simplifies the complex realities of Muslim women’s lives. The study calls for a more nuanced and respectful approach in film and television narratives to avoid reinforcing harmful stereotypes and to acknowledge the diversity and agency of Muslim women.
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