Kullilipan Chant: A Reflection of the Tingguian Identity of Hospitality

Abstract

This study explored the Maeng Tingguian tribe’s Kullilipan chant, which came from the Municipality of Luba, Abra, and serves as a reflection of their cultural identity and hospitality. Regardless of the colonization by the Western countries, the music of the indigenous tribes in the Philippines has been preserved and continuously evolving, incorporating traditional and contemporary features. An ethnographic thematic approach was employed in this study, integrating participant observation, structured interviews, and thematic analysis. There were eight expert Tingguians in the Kullilipan chant, who served as the participants of the study from different barangays in Luba and shared their expertise regarding its historical foundation, cultural relevance, and role of the Kullilipan chant to show the hospitality of Tingguian. Findings revealed that the Kullilipan chant is described by its unique nature; an extemporaneous and thematic chorus that is presented during happy gatherings, and social and ceremonial events. The Kullilipan chant serves as a way to express greetings to the guests, gratitude, and advice. The incorporation of Kullilipan chant in the school curriculum in one of the components of the subject MAPEH, which is Music accentuates its socio-cultural significance and the collective exertion of efforts to preserve Kullilipan chant for future generations. This study highlighted the role of chant in promoting and preserving the attitude of unity and cultural pride, exhibiting how the Tingguians in the Maeng tribe use music to warmly welcome guests and celebrate their heritage.