The Digital Resurrection: Analysing the Cyclical Revival of Past Fashion Trends in Gen Z Culture
DOI:
https://doi.org/10.54536/ajiri.v5i3.7900Keywords:
Algorithmic Virality, Conscious Complicity, Fashion Cyclicality, Micro-Trends, Retro MarketingAbstract
The way people think about fashion is changing, especially among young people. In the past, fashion trends would come back after 20 years, but now they are happening faster thanks to the internet and social media. This study examined why old-fashioned trends are returning so quickly and how social media is shaping people’s fashion thinking. The researchers interviewed 160 people and found that most think fashion trends last less than a year. They also found that people are getting fashion ideas from social media, such as Facebook and Twitter, rather than from traditional fashion leaders. The study showed that people are feeling nostalgic for the past, even if they didn’t live through it, and that this is influencing how they think about fashion. But the main reason old trends are coming back is that they are going viral on social media. The researchers also found that many people know big fashion brands are trying to manipulate them into buying certain things, but they still buy into trends because it makes them feel good and helps them fit in online. This study explored how fashion works now: it’s like a big loop, where old trends are constantly brought back and mixed with new elements to create something new. This is happening really fast, and it’s changing the way people think about fashion and consumerism. The study also discusses how this could affect the future of sustainable fashion, which is environmentally and socially responsible. Fashion consumption has changed over the years; nowadays, it’s more about instant gratification and social media validation. No traditional fashion leader is now looking for inspiration; instead, they are turning to social media and influencers. This is creating a new kind of fashion cycle, where trends come and go really quickly, and people are always looking for the next big thing. The study’s findings are important because they show how the fashion industry is changing and how people are thinking about fashion in new ways. It also highlights the need for more sustainable and responsible fashion practices, which could help reduce waste and promote more positive body image. Overall, the study offers a new perspective on the fashion industry and its evolution in the digital age.
Downloads
References
Agins, T. (1999). The end of fashion: the mass marketing of the clothing business. William Morrow. https://lccn.loc.gov/99027075
Bhardwaj, V., & Fairhurst, A. (2010). Fast fashion: response to changes in the fashion industry. The International Review of Retail, Distribution and Consumer Research, 20(1), 165–173. https://doi.org/10.1080/09593960903498300
Blumer, H. (2017). Fashion: From class differentiation to collective selection. In Fashion theory (pp. 232–246). Routledge.
Boyd, D. (2010). Social network sites as networked publics: Affordances, dynamics, and implications. In A networked self (pp. 47–66). Routledge.
Colombi, C., & D’Itria, E. (2023). Fashion digital transformation: innovating business models toward circular economy and sustainability. Sustainability, 15(6), 4942. https://doi.org/10.3390/su15064942
Daszkiewicz, M. (2023). Nostalgic consumer trends and nostalgia marketing. Ekonomia–Wroclaw Economic Review, 29(4), 69–82.
DiMaggio, P. (2002). Fashion and its social agendas: class, gender, and identity in clothing. Contemporary Sociology, 31(3), 303. DOI:10.2307/3089682
Escourido-Calvo, M., Martin-Bermudez, F., Outes-Castro, F., & Santos, V. R. (2025). The strategic impact of macro and micro fashion influencers on Instagram. International Journal of Service Science, Management, Engineering, and Technology (IJSSMET), 16(1), 1–18. DOI: 10.4018/IJSSMET.376937
Fisher, M. (2014). Ghosts of my life: Writings on depression, hauntology and lost futures. Simon and Schuster.
Fletcher, K. (2013). Sustainable fashion and textiles: Design journeys. Routledge.
Fritzsche, P. (2002). The Future of Nostalgia. By Svetlana Boym. New York: Basic Books, 2001. xix, 404 pp. Notes. Index. Photographs. $35.00, hard bound. Slavic Review, 61(1), 128–129.
Goulding, C. (2001). Romancing the past: heritage visiting and the nostalgic consumer. Psychology & Marketing, 18(6), 565–592. https://doi.org/10.1002/mar.1021
Holbrook, M. B. (1993). Nostalgia and consumption preferences: Some emerging patterns of consumer tastes. Journal of Consumer Research, 20(2), 245–256. https://doi.org/10.1086/209346
Jenkins Henry, & Plasencia Adolfo. (2017). Convergence Culture: Where Old and New Media Collide. Cambridge.
Joy, A., Sherry Jr, J. F., Venkatesh, A., Wang, J., & Chan, R. (2012). Fast fashion, sustainability, and the ethical appeal of luxury brands. Fashion Theory, 16(3), 273–295. https://doi.org/10.2752/175174112X13340749707123
Kawamura, Y. (2018). Fashion-ology: An introduction to fashion studies. Bloomsbury Publishing.
Laver, J. (2013). Taste and Fashion-From the French Revolution to the Present Day. Read Books Ltd.
Marwick, A. E. (2015). Instafame: Luxury selfies in the attention economy. Public Culture, 27(1), 137–160.
Muehling, D. D., & Pascal, V. J. (2011). An empirical investigation of the differential effects of personal, historical, and non-nostalgic advertising on consumer responses. Journal of Advertising, 40(2), 107–122. https://doi.org/10.2753/JOA0091-3367400208
Niinimäki, K. (2010). Eco-clothing, consumer identity and ideology. Sustainable Development, 18(3), 150–162. https://doi.org/10.1002/sd.455
Pedroni, M. (2023). Two decades of fashion blogging and influencing: A critical overview. Fashion Theory, 27(2), 237–268. https://doi.org/10.1080/1362704X.2021.2017213
Rasheed, S., Iqbal, M., & Sharmin, F. (2023). A walk through the history and exploring the conservation project of lalbagh kella, an incomplete mughal fort of Dhaka, Bangladesh. American Journal of Interdisciplinary Research and Innovation, 2(1), 42–53. DOI: https://doi.org/10.54536/ajiri.v2i1.1214
Reynolds, S. (2011). Retromania: Pop culture’s addiction to its own past. Macmillan.
Salasac, C., & Lobo, J. (2022). Rising Popularity of TikTok During the Pandemic: Utilization of the Application Vis-À-Vis Students’ Engagement. American Journal of Interdisciplinary Research and Innovation, 1(2), 43–48. https://doi.org/10.5281/zenodo.7559460
Sproles, G. B. (1981). Analyzing fashion life cycles—Principles and perspectives. Journal of Marketing, 45(4), 116–124. https://doi.org/10.1177/002224298104500415
Turunen, A. (2021). Who Dares to Wear Trousers? Adoption of a New Fashion by Finnish Women 1920–1980. Ethnologia Europaea, (2). https://doi.org/10.16995/ee.1788
Yang, X. (2023). Retro futurism: The resurgence of Y2K style in the fashion field. SHS Web of Conferences, 167, 02003.
Ybema, S. (2004). Managerial postalgia: Projecting a golden future. Journal of Managerial Psychology, 19(8), 825–841. https://doi.org/10.1108/02683940410568284
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Asmi Khurana

This work is licensed under a Creative Commons Attribution 4.0 International License.



